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î Êóëüòóðîëîãè÷åñêîå ýññå.
î Ïîñòàíîâî÷íûå çàäà÷è.
î Çàìûñåë â ïîëèôîíèè. {txt} ~
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î Êóëüòóðà ÷èñòûõ èäåé.
î Ãàðìîíè÷åñêèé êàíîí.
î Ñðàâíèòåëüíàÿ õàðàêòåðèñòèêà ðàçëè÷íûõ íàïðàâëåíèé äâèæåí÷åñêîé ïîäãîòîâêè, ñâÿçàííûõ ñî ñöåíè÷åñêèì è õóäîæåñòâåííûì âûðàæåíèåì (Ñèñòåìà ñòàòèñòè÷åñêîé ýêñïåðòíîé îöåíêè).
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î À.Ïàíîâ Öâåò ìóçûêè.
î Î.Òðóëü ×èñòîå èñêóññòâî Àéñåäîðû Äóíêàí.
î Ôåñòèâàëè Äóíêàí 2002-2007.
Andrei Panov ANALYSIS OF SOME AESTHETICAL QUESTIONS OF SCENIC DANCE
~ À.Ïàíîâ ÐÀÑÑÌÎÒÐÅÍÈÅ ÂÎÏÐÎÑΠÝÑÒÅÒÈÊÈ ÑÖÅÍÈ×ÅÑÊÎÃÎ ÒÀÍÖÀ  ÀÑÏÅÊÒÅ ÌÀÒÅÐÈÀËÈÑÒÈ×ÅÑÊÎÃÎ È ÏÑÈÕÎÀÍÀËÈÒÈ×ÅÑÊÎÃÎ ÒÎËÊÎÂÀÍÈÉ
Andrei Panov COMPARATIVE CHARACTERISTIC OF VARIOUS
DIRECTIONS OF MOVING PREPARATION (connected with scenic and art expression)
~ À.Ïàíîâ ÑÐÀÂÍÈÒÅËÜÍÀß ÕÀÐÀÊÒÅÐÈÑÒÈÊÀ ÐÀÇËÈ×ÍÛÕ ÍÀÏÐÀÂËÅÍÈÉ ÄÂÈÆÅÍ×ÅÑÊÎÉ
ÏÎÄÃÎÒÎÂÊÈ (ÑÂßÇÀÍÍÛÕ ÑÎ ÑÖÅÍÈ×ÅÑÊÈÌ È ÕÓÄÎÆÅÑÒÂÅÍÍÛÌ ÂÛÐÀÆÅÍÈÅÌ)
Andrei Panov STAGING PROBLEMS
~ À.Ïàíîâ ÏÎÑÒÀÍÎÂÎ×ÍÛÅ ÇÀÄÀ×È
Andrei Panov THE LAST DAYS OF THE OLD THEATRE
~ À.Ïàíîâ ÏÎÑËÅÄÍÈÅ ÄÍÈ ÑÒÀÐÎÃÎ ÒÅÀÒÐÀ
Andrei Panov CULTURE OF PURE IDEAS (PSYCHOANALYSIS OF PURE ART)
~ À.Ïàíîâ ÊÓËÜÒÓÐÀ ×ÈÑÒÛÕ ÈÄÅÉ (ÏÑÈÕÎÀÍÀËÈÇ ×ÈÑÒÎÃÎ ÈÑÊÓÑÑÒÂÀ)
Andrei Panov HARMONIC CANON
~ À.Ïàíîâ ÃÀÐÌÎÍÈ×ÅÑÊÈÉ ÊÀÍÎÍ
Andrei Panov HARMONIC EVOLUTION
~ À.Ïàíîâ ÃÀÐÌÎÍÈ×ÅÑÊÀß ÝÂÎËÞÖÈß
Andrei Panov RUN BACK
~ À.Ïàíîâ ÁÅÃ Ñ ÏÎÑÊÎÊÎÌ, ÇÀÄÎÌ ÍÀÏÅШÄ
Andrei Panov THE MACHINE FOR DRAWING OF A MUSIC (MusicBrushMachine)
~ À.Ïàíîâ ÌÀØÈHÀ ÄËß ÐÈÑÎÂÀHÈß ÌÓÇÛÊÈ (MusicBrushMachine)
Andrei Panov COLOUR of MUSIC
~ À.Ïàíîâ ÖÂÅÒ ÌÓÇÛÊÈ
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